Here's my vinyl rip of "Broken Treaties," the debut album from Silverbird. I think I'm more partial to their second album, which you can find in the January 27th entry.
Thursday, February 27, 2014
Silverbird
Here's my vinyl rip of "Broken Treaties," the debut album from Silverbird. I think I'm more partial to their second album, which you can find in the January 27th entry.
Sunday, February 23, 2014
Mariano and the Unbelievables
A perfect album for a lazy Sunday afternoon. BTW, this post is 2-fer, containing their other record, "25th Hour."
Saturday, February 22, 2014
Friday, February 21, 2014
Thursday, February 20, 2014
A Treasury of Great Folk Rock Hits
More Dunhill goodness. If anyone has other Dunhill comps, please post a link in the comments.
Wednesday, February 19, 2014
More Kyle
This fills a request from Rock Archeologia. A nice album, very different in feel from the one I posted yesterday.
Tuesday, February 18, 2014
Dave Antrell
This one goes out to monkeeboy. Sweet and sunshiny (especially nice on this snowy day here in Boston), with the assistance of the Wrecking Crew (Carol Kaye, Mike Deasy, Hal Blaine, et al). Enjoy.
Kyle
Here's an album I picked up yesterday for $1.99 at In Your Ear in Harvard Square. I have seen Kyle's other two records - "Times That Try a Man's Soul" and "Kyle" - floating around the interwebs, but not this one. I couldn't track down much about this guy other than this was his final disk. At times he sounds a little like Neil Diamond. It was produced by Danny Janssen and Bobby Hart (of Tommy Boyce and ...), which made it essential - at least for me. If anyone out there has some info on ol' Kyle, please share it in the comments.
Monday, February 17, 2014
Don Randi
Thanks to Rock Archeologia, here is "Revolver Jazz." Alas, it's only 160 kbps, but it's nice to finally listen to this album. If anyone has a higher-quality rip, please post a link in the comments.
Saturday, February 15, 2014
Terry Jacks
As a follow-up to the Susan Jacks entry (thanks, btw, to blog friend Rock Archeologia for posting "Forever"), here are two albums by her hubby, "Seasons in the Sun" and "Y' Don't Fight The Sea." If anyone has two later albums from Terry - "Pulse" and "Just Like That" - my collection, and my pitiable life, will be complete. Please post in the comments if you do.
Friday, February 14, 2014
Wednesday, February 12, 2014
Brutal Beauty
Yeah, I know this is outside the musical realm of my usual posts, but I'd like to share this record with you. The link below will take you to Bandcamp where you can either download the album for free or leave a little in the tipping tray. Please choose the latter.
Booker T and Priscilla
Fresh vinyl rip for you. Features "Bobby Dylan" on harmonica, Chris Ethridge of the Flying Burrito Brothers on bass and Johnny Barbata of the Turtles/Jefferson Starship on drums. Careful listeners will notice the piano motif from "Layla" popping up on one of the tunes. A question arises: who stole it from whom? Overall, a pretty unusual record. A bit of mellow funk, some gospel, some light soul. Priscilla's voice can grate at times, especially when she's getting into it. BTW, if someone has Booker T and Priscilla's album "Home Grown" and would like to share it, please put a link in the comments. Thanks.
Monday, February 10, 2014
Sunday, February 9, 2014
Jeanie Greene
Very nice (and rare) white gal Southern soul. Here's some info: Mississippi native Mary Elizabeth Lee started her recording career under the stage name Jeanie Johnson in 1958 when she contracted with RCA Victor with assistance by Chet Atkins. The mid 1960s brought about a new moniker, Jeanie Fortune; an introduction to future husband Marlin Greene; and backing vocals session work at American Studios in Memphis and Muscle Shoals Sound Studio in Alabama. Toward the end of the '60s, under her married name, Jeanie Greene, she released a singles for both Atco and Cotillion; her 1971 full-length solo debut, Elektra's "Mary Called Jeanie Greene"; and played gigs in both the Alabama State Troupers and Southern Comfort. Throughout Mary Elizabeth Lee's career as a singer, songwriter and keyboardist, her vocals can be heard on recordings by Big Ben Atkins, Wayne Berry, Reuben Howell, Eddy Mitchell, Willie Nelson, Don Nix and Dan Penn as well as on stage at "The Concert for Bangla Desh" and with Elvis Presley "On Stage: February 1970."
Saturday, February 8, 2014
Tuesday, February 4, 2014
Saturday, February 1, 2014
Wednesday, January 29, 2014
Monday, January 27, 2014
Sunday, January 26, 2014
Thursday, January 23, 2014
Wednesday, January 22, 2014
Tuesday, January 14, 2014
Monday, January 13, 2014
Thursday, January 9, 2014
Tuesday, January 7, 2014
Don Does S&G
Been laid low with pneumonia for the last week, but I wanted to post this cheery little record that I've been groovin' too.
Saturday, January 4, 2014
Thursday, January 2, 2014
Sammy Davis Jr.
Hard-to-find record from Mister Entertainment. Check the comments to download "Portrait of Sammy Davis Jr.," courtesy of Timmy.
Friday, December 20, 2013
Thursday, December 19, 2013
It's All Happening on the Inside
Because so many of you phoned in to express your distaste for my rip of Rippy, I thought I'd post something that might soothe your savage breast.
Friday, December 13, 2013
Monday, December 9, 2013
Wednesday, December 4, 2013
Roger Nichols & Paul Williams
Mondo Exploito slaps together a various artists comp of Roger Nichols and Paul Williams tunes for you. Track list is in the file.
Saturday, November 30, 2013
Tuesday, November 26, 2013
Saturday, November 16, 2013
Sunday, November 10, 2013
Friday, November 8, 2013
Tuesday, November 5, 2013
Monday, November 4, 2013
Mr. & Mrs. Garvey
From Allmusic: One of many obscure underground rock albums issued by Columbia or its subsidiary Epic in the late ’60s, Pat Victoria Garvey’s "Mr. & Mrs. Garvey" seems to have sold remarkably few copies considering that it came out on a major label. Not only that, it was produced by one of the most successful producers of the time, Bob Johnston (most known for working with Bob Dylan and Johnny Cash), and featured top Nashville session dudes like Kenneth Buttrey, Norbert Putnam, Wayne Moss, Charlie McCoy, and a young Charlie Daniels (with keyboards by a young Craig Doerge, who would become one of the top L.A. session men in the 1970s). Like some other obscure albums of the late '60s (like Penny Nichols’ Penny’s Arcade), though it had a folk-rock base, it mixed that with early singer/songwriter influences and dashes of Baroque pop, psychedelia, and country-rock. The married couple wrote all of the songs and sang them with strident, bittersweet harmonies reminiscent of those of Ian Sylvia (though not as good). In fact, the record itself sounded like something that could have happened if Ian Sylvia had gone more determinedly pop-commercial, in a trendy countercultural sort of way. There were slightly whimsical story-songs with some flighty fantasy-tinged lyrics (“Today is the first day of the rest of my life” goes the very first line of the album), occasionally infused with references to circa late-19th century Americana. There were piccolo, horns, violin, French horn, and oboe on top of the straightforward folk-rockish bed. But there weren’t captivating songs, melodically or lyrically, relegating this to the period piece rack.
Sunday, October 27, 2013
Wednesday, October 23, 2013
Wednesday, October 16, 2013
Sunday, October 13, 2013
Tuesday, October 1, 2013
Music for the Easy Hours
I realize that I'm probably barking into the abyss, but would anyone have this or any of the Capitol Records various artists comps? If so, please deposit a link in the comments. Thanks.
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